The Magic of the Colorado Symphony: A Personal Reflection

The Magic of the Colorado Symphony A Personal Reflection

0:00

Experiencing the Colorado Symphony was an extraordinary gift, one that I wholeheartedly cherish. For too long, I let the persistent whispers of inadequacy and concerns about finances keep me from embracing the elegant experiences I’ve always dreamed of. I can’t pinpoint when my mindset began to shift, but I am profoundly grateful that it did. Though I may not fit the mold of the affluent elite, I have wholeheartedly embraced my unique journey. As the underdog often overlooked, I’ve fought with determination to grow, learn, and evolve into the person I am proud to be today.

That’s why I decided to treat myself to an enchanting evening filled with music — I secured a ticket to "Music of the Americas," featuring the breathtaking Symphony No. 3 by Aaron Copland. My seat was strategically nestled near the back of the violin section, an ideal location that offered a clear and captivating view of the delicate interplay between the percussionists and the grand piano on stage, where artistry came to life. The concert was a marvelous celebration of the rich tapestry that is the essence of the Americas, intertwining Bernstein and Copland’s iconic compositions with vibrant pieces from celebrated Mexican composers such as Carlos Chávez and Salvador Contreras. The evening was expertly led by the dynamic and passionate conductor Carlos Miguel Prieto, whose energy infused the performance with a palpable excitement.

Carlos Chávez, a towering figure in 20th-century music, infused every note of his “Sinfonía india” with exhilarating life. The piece thrummed with irregular rhythms, intricate textures, and a stunning palette of instrumental colors, conjuring a thrilling energy that enveloped the audience as Maestro Prieto deftly guided the orchestra through its complex passages. The vividness of each instrumental voice stood out, creating a soundscape rich with the rhythms and melodies of Mexican heritage.

Next came Bernstein’s "Chichester Psalms," a deeply significant sacred work that intertwined six Hebrew Psalms with hints of the beloved West Side Story. The performance showcased the extraordinary versatility and strength of the Colorado Symphony Chorus, whose harmonious voices filled the hall with a profound spirituality. Following this, Copland’s Third Symphony, with its sweeping melodies and rich orchestration, beautifully bridged Copland’s more abstract works with the accessible charm of ballet and film music. The symphony took us on a magnificent emotional journey, sweeping from the uneasy calm of the opening movement to the triumphant and rousing finale, which famously incorporated elements of "Fanfare for the Common Man," leaving an indelible mark on all who listened.

The performance was further elevated by the presence of two phenomenal soprano singers, Grayson Riek and Claudia de Lourdes Díaz. Grayson, an eighth grader from Colorado Academy and a standout member of the Colorado Children's Chorale National Tour Choir, began his performance with a touch of timidity, but as he continued, his confidence blossomed. As a boy soprano, it seemed he was at a pivotal point in his vocal development, with his high-pitched voice beautiful yet yearning for the depth that comes with maturity. I found myself hoping that he would embrace this transformative stage and learn to harness his evolving voice.

Then came Claudia, a breathtaking embodiment of operatic perfection. Her rich, resonant voice surged through the theater like a majestic wave, enveloping me in a cocoon of serenity. As she performed, it felt as though the stage belonged solely to her, a testament to her undeniable presence and artistry. When she sang, I could envision her voice flawlessly interpreting my own opera compositions, and I was utterly captivated by her grace and beauty. Each note she delivered commanded attention; it was impossible to do anything but listen in complete awe.

At the conclusion of the performance, overwhelmed with gratitude and excitement, I found myself shouting “thank you!” with pure joy. Many of the performers turned to acknowledge me — some flashed thumbs up, others mouthed “thank you,” while a few nodded or gestured back, creating a heartwarming connection that transcended the stage. Every moment of that event was a treasure, and I left the theater brimming with joy and fulfillment, already yearning for my next visit.

What an unforgettable event it was, a moment etched into my memory like a beautiful melody!

Neaki Moss

March 11, 2025